Comic-Con is just two days away, and while we don’t know everything we can expect to see in Hall H this year, there are a few films guaranteed to make an appearance — including Deadpool 2. Filming is already underway for the sequel to last year’s foul-mouthed box office hit, and if you’re feeling antsy about Thursday’s 20th Century Fox panel, Ryan Reynolds has offered up a little something to tide you over until then.
Wright’s long-awaited follow-up to The World’s End stars Ansel Elgort as a talented getaway driver who relies on the beat of his personal soundtrack to enhance his skills. Inspired by heist films like Point Break and The Driver (obviously), Baby Driver is not a musical in the conventional sense, but one in which the action (like its titular character, whose name really is Baby) is driven by diegetic sound — in this case, it’s music. I spoke with Wright about all of this and much more during his recent trip to Austin, where he was the surprise guest at a special screening to celebrate the 20th anniversary of the Alamo Drafthouse, a theater that holds a very special place in his heart. Our 10-minute interview quickly morphed into 20 because, as Wright himself would tell you, the man can talk.
It’s a big year for Nicole Kidmaniacs (just something I’m trying out), and Big Little Lies was just the opening act. The actress has four projects screening at Cannes this year: Sofia Coppola’s The Beguiled, the second season of Jane Campion’s Top of the Lake, Yorgos Lanthimos’ The Killing of a Sacred Deer and How to Talk to Girls at Parties. You’ll have a Nicole Kidman for every occasion, but perhaps none cooler than the one featured in John Cameron Mitchell’s adaptation of the Neil Gaiman short story. As you can see in the first teaser, Kidman’s about to get real rowdy y’all.
Although Warner Bros. released a handful of TV spots late last week, there’s some concern among fans about the lack of promotion for Wonder Woman, which hits theaters in just a few short weeks. In comparison to other big-budget blockbusters (and superhero films in particular), the marketing for Wonder Woman has been relatively low-key — strange, since it’s such a highly-anticipated summer release for several reasons, not the least of which is that it’s the first solo female superhero film in over a decade.
In the second act of The Circle (a film so poorly structured that it feels like it has five acts instead of three), Emma Watson’s painfully earnest protagonist Mae Holland decides to go “transparent” and have her entire life live-streamed around the clock, save for the occasional three-minute bathroom break. Throughout these sequences, CGI text boxes appear on screen to display viewer comments in “real-time,” with half-baked thoughts ranging from “I just ate cheese from last year” to “My girlfriend dumped me.” Those comments, often irrelevant and ineloquent, are the only part of The Circle that feels remotely relevant or clever…or entertaining. The rest, like the titular shape, is hollow.
Horror fans have been waiting for months. Stephen King fans have been waiting for years. And after a week of teasers and sneak peeks, the first trailer for It, Andres Muschietti’s highly-anticipated adaptation of King’s classic horror novel (or one half of it, anyway) is finally here to give us our best look yet at that divisive new take on the iconic evil clown. Beep beep, we’re all gonna float.
Logan is, first and foremost, a Wolverine movie. It’s also a western, a poignant character study, a story of a man reconciling with the inevitable, and a really great farewell for Hugh Jackman — and also maybe Patrick Stewart’s Professor X. Like the titular hero, Charles Xavier is quite different when we meet him again in Logan, haunted by a mysterious incident that is never fully explained, much to the film’s benefit. Director James Mangold would agree, as he’s revealed that the original script didn’t just allude to the incident, it actually showed it, which would have made for a much different film.
After four films, you’d think Disney could come up with another villain for Pirates of the Caribbean besides water-logged ghosts. As it turns out, the fifth film does have something different to offer, sort of. New concept art for Dead Men Tell No Tales reveals a formidable addition to the spooky seas: Ghost sharks. Maybe we’ll see them in action in the new trailer, which arrives tomorrow.
This year’s Star Wars Celebration will take place in Orlando (good news for those of you who couldn’t make it across the pond last year), and as it’s the 40th anniversary of the iconic franchise, you can expect some pretty major things. While we wait to learn more about Lucasfilm’s plans for the 2017 convention, the studio has unveiled a beautiful new poster along with a few details regarding the first panel of the year.
SXSW 2017 has officially found its closing night film, and with the addition of the upcoming sci-fi thriller Life, this year’s Film program has a proper beginning, middle and end. The new film, starring Ryan Reynolds, Jake Gyllenhaal and Rebecca Ferguson, will debut in Austin next month to formally conclude the fest (which actually keeps going for a few more days, if you have enough energy to stick around), with all three stars present for the big premiere.
When Lucasfilm initially revealed Star Wars: The Last Jedi as the full title for Episode VIII, rampant nerdy speculation ensued over what it might mean. Since “Jedi” could be either singular or plural, the title of Rian Johnson’s upcoming sequel implied a few possibilities — Luke could (obviously) be the last Jedi, or maybe it’s Rey, or maybe it’s both of them (and maybe others?). Thanks to the official international titles for the film, and a little assistance from social media, we now have an answer.
And now for something a little different from the Logan marketing department: Amid the usual glut of TV spots and featurettes comes this unnerving found footage-style promotional video, which offers a look inside the creation of X-23 — aka the young female clone of Hugh Jackman’s Wolverine. It’s an intriguing change of pace from the typical ads, that’s for sure.
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